478
6.9

红苹果

导演:
林超贤,陈嘉上
主演:
古巨基,舒淇,李灿森,陈颖妍,三田爱里,曾志伟,余迪安,森美,阮小仪
别名:
未知
6.9
478人评分
未知
语言
1999
上映时间
未知
片长
简介:
祺(古巨基)自小做事就很有计划,身为深圳某家公司的高级职员,他已规划好何时同在日本留学的女友June(陈颖妍)结婚、退休等人生大事。某日看过June发来的一封E-mail后,他休假来到日本。令他想不到的是,June已与他的死党,在日本学漫画的Sam(李灿森)坠入爱河。  祺无法接受未来被打乱的事实,失意地来到咖啡馆,结识从台湾来日本发展事业的模特Kiki(舒淇)。Kiki在日本遭受过许多打击,但一直乐观开朗,在与她相处时,祺的心情有些微改观。其后两人扮24小时情人,过程中Kiki爱上了祺,祺也在分手那刻察觉出了心的不舍,但他仍要自己理智大于情感。
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7.0
更新时间:09月06日
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
70
1954
不安
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
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