212
7.7

劝导(2007)

导演:
亚德里安·谢尔高德
主演:
莎莉·霍金斯,鲁伯特·彭利-琼斯,艾丽丝·克里奇,安东尼·海德,朱莉娅·戴维斯,‎迈克尔·芬顿·史蒂文斯‎,玛丽·萧克莱 ,彼得·怀特,玛丽昂·贝利,阿曼达·哈尔,Jennifer Higham,Rosamund Stephen,斯特拉·古奈特,山姆·哈兹尔丁,Louis Shergold,尼古拉斯·法瑞尔,约瑟夫·马勒,芬莱·罗伯特森,托比亚斯·门基斯,亚历山大·海瑟薇
别名:
未知
7.7
212人评分
英语
语言
2007
上映时间
92
片长
简介:
  根据简·奥斯丁同名小说《劝导》改编而成。
  沃尔特家的二小姐安妮(Sally Hawkins饰)温柔娴静,知书达理,是一位德才兼备的好姑娘,可年近28的她至今还待字闺中——8年前,安妮和情郎温特沃斯(Rupert Penry-Jones饰)订下婚约,却最终因长辈拉塞尔夫人(Alice Krige饰)的“劝导”而选择和对方分手。虽然安妮旋即萌生悔意,但受了伤的温特沃斯早已远走他乡,杳无音讯。这段往事给安妮心口划上一道永难愈合的口子,此后,她的心扉再未向他人打开。
  8年后,温特沃斯衣锦还乡,一举一动都透出绅士魅力,完全不复昔日的穷酸样,已成为富家女竞相追逐的对象,他对安妮的态度冷淡无比;安妮表面虽然镇定自若,在点滴接触中却不自禁地加深了对温特沃斯的无限爱慕之情,深知昔情难追的她也因此在内心深处备受煎熬……
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不安
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7.0
已完结
不安
7.0
更新时间:09月06日
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
70
1954
不安
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
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