抢枕头

　　Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

　　The movie concerns about Trinity(Terence Hill=Mario Girotti)a roguish and cocky gunman with fast weapon who works as bounty hunter.His brother Bambino(Bud Spencer)is sheriff in a village but is also an undercover thief which attempts execute a heist.
　　The'll face off against a rich owner(Farley Granger) and a Mexican marauders who try evict to a Mormons group. They help to the pacific settles and the confrontation will be inevitable but is developed by means of successive fights without blood,neither gore or cruel murders.The violence isn't crude but slight and predominates the comedy and parody. The storyline is embarrassment and ridiculous but has its agreeable moments here and there.It's a spaghetti western with humor and narrates the usual issues:invincible antiheroes,spectacular showdown ,violent taking on but united to slapstick and simple humor.It's an entertained Italian western with adequate runtime where there are irony,tongue in check,shoot outs,numerous struggles and is quite funny and amused. Terence Hill is sympathetic,hilarious and likable; Bud Spencer is rough, two fisted,bouncing ,grumpy man but with good heart,their characters are similar to Stan Laurel and Oliver Hardy.The film is a spoof of famous films as ¨the magnificent seven¨ and ¨blazed saddles ¨but covered with spaghetti.The picture obtained a sequel with the same protagonists and director¨Trinity is still my name¨.Besides originated a series of awful imitations and copies. Rating:nice and bemused.

日本将翻拍[那些年，我们一起追的女孩]。导演为长谷川康夫，男主角山田裕贵，曾在古川雄辉版《一吻定情》中饰演阿金。女主角则是乃木坂46的斋藤飞鸟。影片预计2018年秋天日本上映。

大一新生小夏（贾多多 饰）计划在暑假完成一篇小说，为了安心写作，表哥给她找了一处安静的住所。写作之余，她常给锋写信，而锋却从未回过只言片语，令她很是纳闷。就在这时，对面一所空房子门前的景象更令她惊异，信箱里塞满了一个收信人叫姚舒曼（徐子琪 饰）的信件，姚舒曼是谁呢？带着好奇心，小夏找到了这位收信人，但姚舒曼让她烧掉所有信。感觉事有蹊跷的小夏逐封信打开查看，她惊讶地发现原来里面有一个凄美的爱情故事。七年前，姚舒曼遇到一个痴爱着她的“傻瓜”，虽然那份爱令人窒息或许还带着伤感，但它毕竟轰轰烈烈真实发生过，那是一段值得回味的过往......

1980年代，江南某城市。商学院烹饪系的蔡琳（张晓力 饰）、柳瑶（鲁瑛 饰）、和周婷（周金珍 饰）是我国第一届学烹饪的大学生。在考试中，由于杀鸡比赛不过关，蔡琳受到系主任批评。蔡琳决定在实践中学习烹饪，她借男友罗丹（叶晖 饰）母亲（严丽秋 饰）生日本想露一手，不料弄巧成拙。罗母劝蔡琳改行，说女孩子干这行没发展，倔犟的蔡琳抱定决心干下去，结果与罗家母子不欢而散。柳瑶对学烹饪心猿意马，今天学唱歌，明天学跳舞，出尽洋相。一日，她们一行在西湖边发现罗母正在为罗丹介绍对象，蔡琳故意挽起厨师庞大力（马天放 饰）的胳膊招摇过市。时光茬苒，当一切误会消除后......

马克思（Tim Haars 饰）和朱尔斯（Dani?l Arends 饰）虽然没有血缘关系，但从小在同一屋檐下长大，彼此之间情同手足感情十分要好。饱受感情折磨的父亲从小就教育他们，女人不可信，永远不要陷入爱情之中，这样的念头在兄弟两人脑中根深蒂固，长大之后，他们都成为了没有定数，玩世不恭的花花公子。 　　然而，某日，一位名叫安娜（西尔维娅·侯克斯 Sylvia Hoeks 饰）的美丽女子出现在了马克思和朱尔斯的身边，这位特别的女子让发誓一辈子都不正式恋爱的兄弟两人坠入了情网，朱尔斯甚至想和安娜住到一起去，这让马克思的心里很不是滋味，兄弟两人之间的友谊产生了裂痕。