微笑人生

简介：夜深人静，白日的束缚悄然褪去，是时候迎接真实的自己。在这里，我们为您准备了一场感官的极致盛宴。每一次心跳，都是对寂寞长夜最有力的回击。探索未知，体验前所未有的私密与刺激。别再压抑，点击开启属于你的午夜狂欢。

简介：Follows six friends who break down in the middle of nowhere on the way to a concert and encounter with the Desert fiends, a deranged family that lives in the desert killing anyone they come across.

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民国某年的蚕花时节，江南运河边上的双河小镇迎来了一年一度的蚕花大会。由双河镇在大上海经营天蟾宫的陆四出巨资举办的蚕花大会，旨在振兴南派京剧、挖掘南派京剧武生。蚕花大会每年都吸引各路戏班前来捧场，真刀真枪的台上功夫，不仅让双河镇的老少戏迷过足了戏瘾，更让蚕花大会的出资人陆四名扬运河两岸。 　　然而，在去年举办的蚕花大会上，齐家班的台柱子玉蝴蝶蹊跷地死在流经双河镇的运河里。京派武生菊少笙曾与玉蝴蝶在上海一起挑台演戏，玉蝴蝶的死让菊少笙决定淌一淌双河镇的浑水。在菊少笙借治疗腰伤为名出现在双河镇时，年年都参加蚕花大会的齐家班、花家班先后船靠双河镇码头。 　　没有了玉蝴蝶的齐家班日渐式微，班主齐老板不得不带着演武生的李云来去拜会花家班班主花二郎，求花二郎让出一些戏份。已逝的玉蝴蝶是花二郎的同门师兄。花二郎手下齐老板送来的银子，却没有收回已经出鞘的“剑”。花二郎的贵手不...

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凯瑟琳（英格丽·褒曼 Ingrid Bergman 饰）和亚历山大（乔治·桑德斯 George Sanders 饰）是一对结婚多年的英国夫妇，他们过着衣食无忧的生活，但是这样的生活里缺少了一些幸福和快乐。叔叔去世后给两人留下了一座别墅，于是，夫妻两人驱车前往那不勒斯去处理这份天降遗产。 　　旅途中，凯瑟琳想起了一位曾经深深爱慕过自己的诗人，如今他早已在战火中死去，但他在凯瑟琳脑海里留下的印象却越来越清晰起来。在那不勒斯，凯瑟琳游览了庞贝古迹和各种博物馆，来自过去的文明的冲击之下，凯瑟琳的思想渐渐产生了变化。对此一无所知的亚历山大，依旧沉浸在和陌生女子的调情之中。

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五六十年代曾流行过把风光片包装成故事片的手法，本片就是一个例子。通过一个小孩躲藏在爷爷的气球里遨游欧洲，尽情享受俯瞰艾菲尔铁塔、勃朗峰等名胜，以及猎鹿等壮观的场景。里面还有一个插科打诨的机械师，提供喜剧调料。

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东山春人（田中圭 饰）表面看来是一名非常普通的男子，而实际上，他拥有着十分扭曲的性格，身为抖M的他一直渴望着想要被某人杀死。随着年龄的增长，这种想要被杀死的愿望越来越具体起来——春人不仅想要被杀死，而且必须是被女子高中生杀死。

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影片以农村留守妇女在各界帮扶下自主创业为叙事主线，反映了在党和府“精准扶贫”这一既定方针的指引下，各地积极投身美好乡村建设，外出务工者纷纷回乡参与创业的农村新景象。

简介：在东京某出版社工作的饭冢真纪（佐佐木希 饰）马上就要成为一名新娘了，而就在此时，从小和她相依为命的外婆去世了。怀着复杂的心情，真纪操持办理了外婆身后事宜，在整理遗物时，她意外找到了新娘才能穿的白无垢和结婚申请书。在丈夫的一栏，赫然写着一个她从没有听说过的名字——秋国宗一。抱着种种疑问，真纪姐回老家的时候，向亲戚朋友以及当地人打听秋国宗一的下落，结果没有任何收获。这个女孩并没有放弃，她为此推迟了婚期，期间还得到曾和秋国相处过的渔民大森充（井坂俊哉 饰）的帮助。　　在漫漫寻访之路上，真纪终于了解到关于父辈、祖辈感人至深的故事……

简介：夜幕降临，有着不同生活和经历的人们鱼贯而入，坐进了飞往东京的太平洋航空7500次航班的机舱。喜怒哀乐，不经意流露出来。他们有的正为外遇左右为难，有的正经历婚变，有的寡廉鲜耻渴望一场艳遇，有的为可能到来的意外怀孕担忧，有的自顾自沉浸在蜜月的浪漫中不管他人。少顷，飞机起飞，谁知不久遭遇一阵强气流，结果一名衣冠楚楚、正襟危坐的男子心脏病突发，虽经众人抢救，却不幸猝死机上。经过和地面的短暂交涉后，机组人员将上层机舱腾出来，把尸体暂时安置在那里。 似乎以此为开端，接下来的八小时内，恐怖诡异的气氛在飞机内蔓延，各怀心事的乘客和机组人员经历着人生最重大的变故……

简介：“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.　　“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.

简介：事物在寂静的癫狂中支离破碎。三条生命和一块空白里程碑。无处可去。一切都被困在由阳具和面具构成的错综复杂的世界里。