For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.
探讨比安卡·鲁道夫在非洲狩猎之旅中神秘死亡的事件。被告是匹兹堡地区富有的牙医拉里·鲁道夫。
《肮脏的狗》是一部强有力的纪录片，揭露了新奥尔良市与著名的 Lucky Dog 热狗车之间数十年的腐败。在街头小贩的怀旧形象之下，隐藏着一段令人不安的剥削和黑幕交易历史，这部电影一丝不苟地揭露了这一切。该市与 Lucky Dog 勾结的证据确凿，揭露了一个长期凌驾于法律之上的制度，这对其工人造成了很大损害。这部纪录片的核心是一位不知疲倦地为揭露这些不公正而奋斗的律师。他的旅程为这部电影增添了深刻的个人和情感维度，将其从单纯的揭露变成了一个鼓舞人心的坚持和希望的故事。他寻求正义的努力引起了强烈共鸣，为叙事带来了真正的内涵。虽然叙述者缺乏经验有点分散了注意力，她的表演偶尔让人感觉不合时宜，但这部电影的核心信息仍然清晰而引人注目。对于那些有兴趣揭露企业腐败背后的真相以及在极其困难的情况下为公平而战的人来说，《肮脏的狗》是一部必看的电影。
影片以 2022 年俄罗斯入侵乌克兰为背景，讲述了人们和他们的宠物的故事。
这部纪录片以两届世界冠军魔术师肖恩·法夸尔为主角，探讨了魔术艺术和扑克牌之间的独特关系。
多萝西为何要追寻那条黄砖路？电影制片人乔尔·吉尔伯特踏遍美国，探寻进步主义彩虹的尽头——乌托邦，还是更糟糕的未来？从底特律的废墟到芝加哥南区的贫民窟，从丹佛的非法移民入侵到纽瓦克的城市拆迁计划，吉尔伯特拉开了这片土地的帷幕。他在探索中直面进步主义者，带领我们深入他们关于人间天堂的政治幻想。《乌托邦无处可寻》以幽默又惊悚的方式探索了进步主义、非法移民大赦、种族关系、美国的伊斯兰教、政治正确性，以及承诺“重塑世界”的巴拉克·奥巴马本人。但乌托邦真的会是美国的目的地吗？又或者，通往幸福的真正道路，仍然是信仰、家庭和辛勤工作——在堪萨斯的家乡？ 作者：制片
这齣十分个人化的纪录片由执行製作人查宁塔图与导演黛博拉施兰顿共同创作，呈现老兵与他们的军犬，不管是在服役或回归一般身份时的亲密友谊。片中主要聚焦在军中精英部队裡的三隻勇犬(莱卡、米卡与派波)与它们所服务的士兵，强调这些军犬在他们人类伙伴的生活中所扮演的重要角色，是一齣对人类最好的朋友的致敬之作。
我个人认为，在观看这部多产的纪录片后，我感到不得不祝贺导演（斯蒂芬·普雷斯利）对这场流行病的真实改编。他真实地概括了美国正在发生的事情，更不用说世界其他地方了，他绝不会试图掩盖或刻板印象这种病毒，而是真实地展示了我们如何被欺骗，以及谁是“面具”背后的操纵大师……一位年轻的电影导演对幕后工作有着远见卓识，如果你追求的不是阴谋，而是真正的赤裸裸的剥削，毫无漏洞的示威，以及对美国政府的无理指责，那么这部电影值得一看。
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