乔伊卡

简介：夜深人静，白日的束缚悄然褪去，是时候迎接真实的自己。在这里，我们为您准备了一场感官的极致盛宴。每一次心跳，都是对寂寞长夜最有力的回击。探索未知，体验前所未有的私密与刺激。别再压抑，点击开启属于你的午夜狂欢。

简介：俞天志一生都在钻研中国武术，以身作则将中国武术和文化发扬光大，影响着周围的外国弟子， 另世界对中国武术和文化的博大精深有了更深一步的了解。

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叛逆青年丹尼克魯格（喬瑟夫克羅斯）沉迷於街頭賽車。在一場非法的街頭賽車事故後，他被送往一個小城鎮，與關係疏遠的父親同住。然而，當丹尼決定要進入全國運動汽車競賽協會時，他被迫尋求父親的幫忙，以打敗炙手可熱的賽車手…

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凯拉（德芙·卡梅隆 Dove Cameron 饰）的父亲是滑雪度假村的老板，受父亲的影响，凯拉对单板滑雪这项运动充满了热情。可让她没有想到的是，自己从小到大在这个领域里所获得的所有荣誉，皆是她的父亲利用权力为她营造的假象，在得知了人们对自己的滑雪水平的真实评价之后，凯拉陷入了深深的自我怀疑之中。

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寒冷的高空，厚厚的云层之间，两架战斗机正一前一后进行着追逐战，无情的子弹打在机身上，薄如纸片的铁皮根本无法起到任何保护作用。飞快的速度，辅以生与死的刹那决断。青空之上，战斗机你来我往，画出了交织错乱并且残酷绝美的飞机云。此时，这两架飞机早已伤痕累累，能量将尽。血流满面的飞行员咬紧牙关，做着最后的挣扎。十字架、爱人的相片，点缀着残酷战场的星点温暖，呼啸而过的子弹和洒落虚空的鲜血则书写了历史上最不堪回首的篇章。仇恨的背后还是仇恨，即使化作魔鬼，厮杀没有穷尽，他们双双堕入没有救赎的无间地狱…… 　　本片荣获2011年法国昂西动画节短片特别提及奖。

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一个手握政府机密的AWOL海军成员正被俄国特工和一个危险的杀手追缉

简介：马克斯一直对赛道上非常热爱，梦想着有一天能夺得一级方程式世界锦标赛。随着她赢得的每一场青少年比赛，马克斯的才华都更加闪耀。但17岁时，一个残酷的现实袭来：职业赛车界仍然是一座堡垒，不愿意在男性主导的队伍中接纳女性车手。然而，马克斯拒绝屈服于这一现实。在命运的转折中，她在一位破产的前车手身上找到了希望。他们一起克服了困难，突破了速度和技能的界限。在引擎的轰鸣声和烧焦的橡胶味中，马克斯发现自己被她最凶猛的对手威尔所吸引。随着他们的竞争变得更加激烈，马克斯面临着最终的困境：她是不惜一切代价追逐冠军，还是冒着一切风险去寻找爱情的机会？

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大体修复师吴悠，独自照顾失智母亲，生活被贫困与沉重责任压得喘 不过气。某日，他在殡仪馆遇见一名无人认领的女童遗体，灵魂悄然 现身，要求他「带我回家」。在完成修复工作的过程中，吴悠与小女 孩展开一段幽微而疗愈的旅程，也逐渐逼视自己与母亲之间被压抑的 伤痛与未竟的爱。

简介：明朝年间，天下第一富商沈世杰临终前以奇门遁甲之术建造天机宝库封存巨额财富，不料死后竟被贼人环伺劫掠了沈家后人沈雨馨，段十一郎为救沈雨馨以及保卫天机宝库，召集江湖侠客深入西域荒漠，一路披荆斩棘，正邪两派开启了一场刀光剑影荡气回肠的生死较量……

简介：马特（凯文·詹森斯 Kevin Janssens 饰）和凯特（欧嘉·柯瑞兰寇 Olga Kurylenko 饰）是一对非常恩爱的夫妻，两人美满的婚姻里唯一的遗憾就是没能够拥有他们爱情的结晶，凯特曾经两度怀孕，都不幸流产了。为了缓解意外带来的阴翳，夫妻两人前往一座位于纽约郊区的古宅中度假，让两人没有想到的是，他们在房子里找到了一间被隐藏的密室。　　这是一个拥有神奇魔法的房间，只要你身在房间之中，无论许什么物质方面的愿望 ，都能够实现。利用这个房间，夫妻两人瞬间拥有了很多他们想买但舍不得买的东西，然而，起初了兴奋感平静之后，凯特内心的贪欲开始蠢蠢欲动，她真正想要的“东西”只有一个。

简介：米娜是一家美容机构的接待员，社交网络上的她有着迷人的脸蛋和身材、性感又温柔的声音，但现实中的她却只是一个整日吃着冰淇淋的超重中年女人。米娜渴望爱情，却也明白自己的外在让她注定与真爱无缘。她通过电话约见网友，却又不敢现身。后来，她终于遇到一个愿意了解真正的她、与她分享故事的男人，这个男人会是她的Mr.Right吗

简介：Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.