关中枪声
0.0 |2025年12月08日 |已完结 |共32集
简介:
根据著名作家樟叶的小说《五福》改编而成。 二十世纪初,满清王朝虽然已摇摇欲坠,但清王朝的龙旗依然在陕西巡抚府(满城)城楼上飘扬着。孙中山倡导的“三民主义”逐渐深入人心,革命之风也吹进了陕西新军的将士中。著名学者凌教授和女儿凌云及进步人士响应同盟会“爱国护路”的号召,发起的游行示威,遭到了巡抚府兵马总督左善的武力镇压,凌教授被左善枪杀。陕西新军首领刘五闻之匆匆率兵紧急赶往巡抚府,制止了左善的暴行,解救并保护了凌云。他同清王朝的军政领导左善和瑞琦首次在公开场合对抗,从而激化了双方之间的矛盾。  刘五的陕西哥老会“太白山堂”如日中天,势不可当。这不仅使左善和瑞琦心怀不满,也引起同僚和上司吴玉堂的嫉恨,其他各山堂龙头老大也惴惴不安。同盟会领导梁守道积极说服刘五,大谈“三民主义”。凌云也给刘五分析中国的大形势,让他有了清醒的认识,确立了明确的政治方向。刘五联合陕西哥老会各山堂龙头老大与陕西同盟会领导成员,在大雁塔秘密聚会,弑血为盟,组成旨在推翻帝制的“同盟堂”,并确定了最有号召力的刘五当举义总指挥。刘五部署指挥陕西新军,并动员其他各山堂的所有力量,在武昌起义后的第十二天举行了起义。在夺取枪械局后,围攻旗人旗兵占据的“满城”,与拥有精良火器装备且有着坚固城池保护的满军将领左善展开激战,迅速占领了西安,并成功地控制了陕西局势,组成陕西军政府,这一壮举在国内外产生了强烈的震撼。巡抚瑞琦西逃,获得清王朝支持,组成了甘肃、宁夏清军联军,向西安进行疯狂的军事反扑。刘五努力平衡西安的各种势力,平息了由“子午岭山堂”哥老会引发的与吴玉堂的冲突,收服了“子午岭山堂 ”。  刘五在稳定了西安的局面后,统率陕西新军和哥老会各山堂 “西征”,把瑞琦的联军抵挡在陕西乾县以西,直到全国各地纷纷响应革命,清王朝被推翻,才结束了这场战争。政治风云的变幻使刘五难以把握方向,在“共和” 和“帝制”之争愈演愈烈之际,刘五秘密地奔赴北京探求形势,匆匆面见了袁世凯,但却在政治前途上更加迷茫。回到西安后,陕西由哥老会龙头老大把持军政的事实,在社会上产生了严重的负面影响。山堂之争愈演愈烈,凌驾于军政之上,已经严重危害社会百姓生活。刘五从社会进步角度着想,也从哥老会成员的前途考虑,遂采取强硬手段,予以彻底取缔。苏炳义、董绪年等山堂老大深恨刘五不遵洪门流传数百年的宗旨,产生叛离之意,在威胁刘五遭到拒绝后,于是寻找武功高手和江湖死士,密谋刺杀刘五,制止解散哥老会。在刘五精心策划下,扑灭山堂之争,迅速扭转形势,使山堂会融入社会,流传民间数百年之久的洪门哥老会从此在陕西绝迹。袁世凯倚仗北洋军倒行逆施,引起全国各地的民主革命者的愤慨。河北白朗率先发动反袁起义,边打边走,欲取道陕西,向西北方向撤退以保存实力。袁世凯下令陕西务必剿灭叛军,吴玉堂、梁守道与刘五争夺陕西控制权并取得袁世凯的支持,刘五的指挥权被剥夺。  袁世凯乘机派出亲信陈建章任“剿匪总司令”,率领北洋军七十师抵陕。陈建章意在搞乱陕西军政格局,所以虽拥重兵而不与白朗交战,故意坐视不救,到刘五的武装实力消耗殆尽时抵陕,宣读“诏书”:陈建章为陕西巡抚。刘五的权力被全面剥夺,成了“待命”的榆林镇守使,从此一蹶不振。陈建章大权在握,变本加厉地盘剥倾轧,甚至逼迫刘五新娶的妻子凌云当自己的“女秘书”。刘五此时从政治地位到军事实力都失去竞争能力,眼见得陈建章在陕西胡作非为,却不能有所作为,只能怒目苍天。在一片“倒袁”的声浪中,他却因气郁致病,含恨而终…… 该剧以陕西新军将领刘五在辛亥革命前后的经历和命运为线索,通过他的人生奋斗与爱恨情仇,讲述了陕西举义这一重大历史事件的始末,着力展示了共和革命过程中关中的风云变幻及陕西军政界要人之间的勾心斗角,揭示了共和革命的艰难和复杂,故事惊心动魄,情节跌宕起伏,人物生动形象。同时,该剧更深刻地挖掘了陕西举义这一历史事件对中国近代历史进程的影响,陕西新军举义极大地牵制了清政府的抵抗力量,与孙中山领导的同盟会的革命行动遥相呼应,在辛亥革命中具有非凡的历史意义。
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魔鬼的陷阱
10
0.0
已完结
魔鬼的陷阱
0.0
更新时间:2025年09月06日
主演:Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan Kindl,伊里·弗斯塔拉
简介:In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.  The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.  As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.  Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.  The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
0
1962
魔鬼的陷阱
主演:Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan Kindl,伊里·弗斯塔拉
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