笑盗江湖

简介：夜深人静，白日的束缚悄然褪去，是时候迎接真实的自己。在这里，我们为您准备了一场感官的极致盛宴。每一次心跳，都是对寂寞长夜最有力的回击。探索未知，体验前所未有的私密与刺激。别再压抑，点击开启属于你的午夜狂欢。

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Adam, a cocky MMA fighter, wins a fight using dirty tactics and then when challenged outside the Cage, unintentionally injures his opponent, Johan, in a street fight. As a result, Johan is paralysed. Guilt ridden and worried, Adam tries to find out whether Johan knows that he is the culprit, but then inadvertently gets drawn into Johan's life when he finds out that his actions ...

简介：　　Ricky, a top contender in Muay Thai Kickboxing trains for the title belt, all the while dealing with new relationships, money problems, and family drama.

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When the sheltered and unsocialized Oliver is tasked with making new friends after the sudden and devastating death of his mother, he decides that digging a few up (literally) might be his best bet.

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一个年轻人参加他前女友的婚礼。

简介：　　一心想要进入NBA打篮球的少年成长故事。在父母莫大的压力下，进入有全额奖学金的菁英大学是唯一的出路，而他则必须在新女友、新学校、球场上的竞争对手以及喘不过气的期望中找到自己的出路。

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众所周知，没有安东尼·杰斯尼克驾驭不了的话题，他的第二部 Netflix 原创喜剧特辑也没有让人失望。《杰斯尼克：产房一把火》将于 4 月 30 日星期二面向全球上线。继他的 2015 年特辑《杰斯尼克：我思我祷》之后，这位喜剧人继续率性探讨社会禁忌，并将自己的批判和犀利风格贯穿其中。

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阔别洛杉矶10年后的首秀，戴夫·查普尔 借用调侃Bill Cosby，O.J Simpson和自己过往的风波，直接了当地将现场推向高潮。

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杰里·宋飞时长一小时的全新特辑《杰里·宋飞：23小时找乐子》巩固了他单口喜剧界巧匠的声誉。该特辑于2020年5月5日在 Netflix 独家上映，记录了宋飞在纽约灯塔剧院的一场壮观演出，并展示了他对日常生活的敏锐观察，揭示了平日里的喜剧元素。

简介：寂れた温泉街を舞台とする本作は、彫師の郵便配達員・鷹巣明と恋多き詩人“ペンギン”、そしてペンギンのファンである“月夜の星”の三角関係を描く物語。

简介：《木偶》讲述了一个治疗师的故事，当一个十岁的男孩声称他可以控制她的未来时，她失去了对现实的把握。

简介：Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb